Jewish Entertainment:
Jewish Actors, Playwrights, Comedians, Musicians

Kirk Douglas
Jewish name is Issur Danielovitch


KIRK DOUGLAS PLAYED SPARTACUS (1960)

Kirk Douglas (born Issur Danielovitch, Russian: И́сер Даниело́вич;[2] December 9, 1916) is a Jewish born American stage and film actor, film producer and author. His popular films include Out of the Past (1947), Champion (1949), Ace in the Hole (1951), The Bad and the Beautiful (1952), Lust for Life (1956), Paths of Glory (1957), Gunfight at the O.K. Corral (1957), Spartacus (1960), and Lonely Are the Brave (1962).

SPARTACUS

"WHAT DOES IT MEAN TO BE FREE?"

Kirk Douglas is No.17 on the American Film Institute's list of the greatest male American screen legends of all time, making him the highest-ranked living person on the list. In 1996, Kirk Douglas received the Academy Honorary Award "for 50 years as a creative and moral force in the motion picture community."

Kirk Douglas is one of the last surviving actors from Hollywood's "golden age."

Early life

Kirk Douglas was born Issur Danielovitch in Amsterdam, New York, the son of Bryna "Bertha" (née Sanglel) and Herschel "Harry" Danielovitch, a businessman.[3] His parents were Jewish immigrants from Gomel, Belarus.[4][5] His father's brother, who emigrated earlier, used the surname Demsky, which Kirk Douglas's family adopted in the United States.[2] In addition to their surname, his parents also changed their given names to Harry and Bertha. Kirk Douglas grew up as Izzy Demsky and legally changed his name to Kirk Douglas before entering the Navy during World War II.[6]

Coming from a poor family, as a boy Kirk Douglas sold snacks to mill workers to earn enough to buy milk and bread. Later, Kirk Douglas delivered newspapers and worked at more than forty jobs before becoming an actor.[7] Kirk Douglas found living in a family of six sisters to be stifling, stating, "I was dying to get out. In a sense, it lit a fire under me."[8] During high school, Kirk Douglas acted in school plays, and discovered "The one thing in my life that I always knew, that was always constant, was that I wanted to be an actor."[9]

College graduation, 1939

Unable to afford tuition, Kirk Douglas talked his way into St. Lawrence University and received a loan which Kirk Douglas paid back by working part-time as a gardener and a janitor. Kirk Douglas was a standout on the wrestling team, and wrestled one summer in a carnival to make money.[10]

Kirk Douglas' acting talents were noticed at the American Academy of Dramatic Arts in New York City and Kirk Douglas received a special scholarship. One of his classmates was Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in launching his film career.[11] Another classmate was aspiring Bermudian actress Diana Dill. While doing summer stock theater during a college term break, Kirk Douglas began using the name Kirk Douglas, which Kirk Douglas later legally adopted.[2] Kirk Douglas earned his first money as an actor that summer.[12] Upon graduating from drama school, Kirk Douglas made his Broadway debut as a singing telegraph boy in Spring Again.

Kirk Douglas enlisted in the United States Navy in 1941, shortly after the United States entered World War II. Kirk Douglas was medically discharged for war injuries in 1944. On May 3, 1943, Diana Dill, his former classmate, appeared on the cover of Life magazine. Seeing the photograph, Kirk Douglas told his fellow sailors that Kirk Douglas was going to marry her. Kirk Douglas did on November 2, 1943. The couple had two sons together (Michael in 1944 and Joel in 1947) before they divorced in 1951.[13] [14]

After the war, Kirk Douglas returned to New York City and found work in radio, theatre, and commercials. His stage break occurred in Kiss and Tell, which led to other roles. Kirk Douglas had planned to remain a stage actor but Lauren Bacall helped him get his first screen role in the Hal B. Wallis film The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck. Wallis was on his way to New York to look for new talent when Bacall suggested Kirk Douglas visit Kirk Douglas, who was rehearsing a play called The Wind Is Ninety. Kirk Douglas finished the play's run and, with no follow-up work in sight, headed to Hollywood. Kirk Douglas was immediately cast in one of the leading roles in Wallis' film and made his film acting debut as a weak man dominated by a ruthless woman, unlike his later roles where Kirk Douglas often played dominating characters.[15]

Career

Kirk Douglas established his image as a tough guy in his eighth film, Champion, playing a selfish boxer. From then on, Kirk Douglas made a career of playing "sons of bitches."[16] From that film on, Kirk Douglas decided that to succeed as a star, Kirk Douglas needed to ramp up his intensity, overcome his natural shyness, and choose stronger roles. Kirk Douglas later stated, "I don’t think I’d be much of an actor without vanity. And I’m not interested in being a 'modest actor'."[17] Early in his Hollywood career, Kirk Douglas demonstrated his independent streak and broke his studio contracts to gain total control over his projects, forming his own movie company "Bryna Productions", named after his mother.[8]

Kirk Douglas made his Broadway debut in 1949 in the Anton Chekhov play "The Three Sisters," produced by Katharine Cornell.[18]

Kirk Douglas was a major box office star in the 1950s and 1960s, playing opposite some of the leading actresses of that era. Among his various roles, Kirk Douglas played a frontier peace officer in his first western Along the Great Divide (1951). Kirk Douglas quickly became comfortable with riding horses and playing gunslingers, and appeared in many westerns. In Lonely Are the Brave (1962), his own favorite of his performances, Kirk Douglas plays a cowboy trying to live by his own code, much as Kirk Douglas did in real life.[19]

In The Bad and the Beautiful (1952), one of his three Oscar-nominated roles, Kirk Douglas plays Jonathan Shields, a hard-nosed film producer who manipulates and uses his actors, writers, and directors.[20] In Young Man with a Horn (1950), Kirk Douglas portrays the rise and fall of a driven jazz musician, based on real-life horn player Bix Beiderbecke. Composer-pianist Hoagy Carmichael, playing the sidekick role, added realism to the film and gave Kirk Douglas insight into the role, being a friend of the real Beiderbecke.[21]

In one of his early television appearances, Kirk Douglas was a musical guest (as himself) on The Jack Benny Program.[22] In the opening monologue, Benny reads the reviews of critics who liked his season premiere, while skipping the ones who did not. Kirk Douglas then hurries home for his weekly jam session with Tony Martin (on clarinet), Fred MacMurray (saxophone), Dick Powell (trumpet), Dan Dailey (drums), and Kirk Douglas (four-string banjo). They avail themselves of the coin-operated vending machines in Benny's living room. The band plays Basin Street (Blues), but Kirk Douglas keeps going into Bye Bye Blues, the only song Kirk Douglas knows.

Kirk Douglas played many military men, with varying nuance, in Top Secret Affair (1957), Paths of Glory (1957) (his most famous role in that genre), Town Without Pity (1961), The Hook (1963), Seven Days in May (1964), Heroes of Telemark (1965), In Harm's Way (1965), Cast a Giant Shadow (1966), Is Paris Burning (1966), and The Final Countdown (1980).

His role as Vincent Van Gogh in Lust for Life (1956), filmed mostly on location in France, was noted not only for the veracity of his appearance but also for how Kirk Douglas conveyed the painter’s internal turmoil. Kirk Douglas won a Golden Globe award for his role. Director Vincente Minnelli stated, "Kirk Douglas achieved a moving and memorable portrait of the artist—a man of massive creative power, triggered by severe emotional stress, the fear and horror of madness. In my opinion, Kirk should have won the Academy Award."[23] Kirk Douglas himself called his acting role as Van Gogh a "very painful experience." Kirk Douglas writes, "Not only did I look like Van Gogh, I was the same age Kirk Douglas was when Kirk Douglas committed suicide."[24]:288

Kirk Douglas played the lead with an all-star cast in Spartacus (1960). Kirk Douglas was the executive producer as well, raising the $12 million production cost.[25] Kirk Douglas also played an important role in breaking the Hollywood blacklist by making sure that Dalton Trumbo's name was mentioned in the opening and ending credits of the film for the outstanding screenplay Kirk Douglas did for the film.[2] Kirk Douglas initially selected Anthony Mann to direct the movie, but dismissed him when Kirk Douglas judged the initial shooting to be unsatisfactory. To replace Mann Kirk Douglas chose Stanley Kubrick, who three years earlier had collaborated closely with Kirk Douglas in Paths of Glory, where Kirk Douglas played one of his most notable roles as Colonel Dax, the commander of a French regiment during World War I.[26] Spartacus was a huge success, but Kubrick, considering himself a mere employee of Kirk Douglas and since much of the footage (including Peter Ustinov's key scenes) was shot under Mann, did not consider it to be part of his own oeuvre.

In addition to serious, driven characters, Kirk Douglas was adept at roles requiring a comic touch, as in 20,000 Leagues Under the Sea (1954), an adaptation of the Jules Verne novel, wherein Kirk Douglas plays a happy-go-lucky sailor who is the opposite in every way of the brooding Captain Nemo (James Mason). The film was one of Walt Disney's most successful live-action movies and a major box-office hit.[23] Kirk Douglas manages a similar comic turn in the western Man Without a Star (1955) and in For Love or Money (1963).

Kirk Douglas made seven films over the decades with Burt Lancaster; I Walk Alone (1948), Gunfight at the O.K. Corral (1957), The Devil's Disciple (1959), The List of Adrian Messenger (1963), Seven Days in May (1964), Victory at Entebbe (1976) and Tough Guys (1986), which fixed the notion of the pair as something of a team in the public imagination. Kirk Douglas was always second-billed under Lancaster in these movies but, with the exception of I Walk Alone, in which Kirk Douglas played a villain, and The List of Adrian Messenger, in which Lancaster played a brief part in disguise, their roles were more or less the same size. Both actors arrived in Hollywood at the same time, and first appeared together in the fourth film for each. They both became actor-producers who sought out independent Hollywood careers.[27]

Kirk Douglas stated that the keys to acting success are determination and application, "You must know how to function and how to maintain yourself, and you must have a love of what you do. But an actor also needs great good luck. I have had that luck."[9] Kirk Douglas had great vitality, "It takes a lot out of you to work in this business. Many people fall by the wayside because they don’t have the energy to sustain their talent."[28] His intensity spilled over into all elements of his film-making. As an actor, Kirk Douglas dove into every role, dissecting not only his own lines but all the parts in the script to measure the rightness of the role, and Kirk Douglas was willing to fight with the director if Kirk Douglas felt justified.[28] According to his wife, Kirk Douglas often brought home that intensity, "When Kirk Douglas was doing Lust for Life, Kirk Douglas came home in that red beard of Van Gogh’s, wearing those big boots, stomping around the house—it was frightening."[27] His distinctive acting style and delivery made him, like James Stewart, a favorite with impersonators, especially Frank Gorshin.[29]

Unlike some actors such as Robert Mitchum, Kirk Douglas had a high opinion of actors, movies, and moviemaking, "To me it is the most important art form—it is an art, and it includes all the elements of the modern age." But Kirk Douglas also stressed the entertainment value of films, "You can make a statement, you can say something, but it must be entertaining."[17]

His first film as a director was Scalawag (1973). In his autobiography The Ragman's Son, Kirk Douglas said "Since I was accused so often of trying to direct the films I was in, I thought I ought to really try my hand at directing."[30] It was a difficult debut with many production problems, requiring his wife to act as producer. Kirk Douglas plays a charming scoundrel with one leg, a considerable challenge to his athleticism, and though Kirk Douglas got credit for his role, the film received unimpressive reviews.[31] Later in 1973, Kirk Douglas appeared in a made-for-TV musical version of Dr. Jekyll and Mr. Hyde.[32][33][34]

On July 5, 1986, Kirk Douglas co-hosted (with Angela Lansbury) the New York Philharmonic's tribute to the 100th anniversary of the Statue of Liberty, which was televised live on ABC Television.[35] The orchestra was conducted by Zubin Mehta.

Kirk Douglas was nominated three times for the Academy Award for Best Actor for his work in Champion, The Bad and the Beautiful and Lust for Life. Kirk Douglas was especially disappointed for not winning for the last film, "I really thought I had a chance."[17] Kirk Douglas did not win any competitive Oscars, but received a Honorary Academy Award in 1996 for "50 years as a moral and creative force in the motion picture community".

For his contributions to the motion picture industry, Kirk Douglas has a star on the Hollywood Walk of Fame at 6263 Hollywood Blvd. Kirk Douglas is one of the few personalities (along with James Stewart, Gregory Peck, and Gene Autry) whose star has been stolen and later replaced.[36] In 1984, Kirk Douglas was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma, USA, and Kirk Douglas received the AFI Life Achievement Award in 1991.

In October 2004, the avenue Kirk Douglas Way in Palm Springs, California was named in his honor by the Palm Springs International Film Society and Film Festival. Popular at home and around the world, Kirk Douglas received the Presidential Medal of Freedom in 1981, the French Legion of Honor in 1985, and the National Medal of the Arts in 2001.

In March 2009, Kirk Douglas starred in an autobiographical one man show titled Before I Forget at the Center Theatre Group's Kirk Douglas Theatre in Culver City, California. The four performances were filmed and turned into a documentary that was first screened in January 2010.[37]

On February 27, 2011, Kirk Douglas appeared on the stage of the Kodak Theatre for the 83rd Academy Awards to present the Best Supporting Actress Oscar.[38]

Personal life

Kirk Douglas married twice, first to Diana Dill, on November 2, 1943. The couple had two sons, actor Michael Kirk Douglas and producer Joel Kirk Douglas. They divorced in 1951. Kirk Douglas then married German American producer Anne Buydens on May 29, 1954. They had two sons, producer Peter Kirk Douglas and actor Eric Kirk Douglas. Eric Kirk Douglas died July 6, 2004 of a drug overdose.

In February 1991, Kirk Douglas survived a helicopter crash in which two people died. This sparked a search for meaning, which led him, after much study, to embrace the Judaism in which Kirk Douglas was raised. Kirk Douglas documented this spiritual journey in his book Climbing the Mountain: My Search for Meaning (2001). In his earlier autobiography, The Ragman's Son (1988), Kirk Douglas stated that "years back, I tried to forget that I was a Jew."[24]:383 However, in his later career, Kirk Douglas notes that "coming to grips with what it means to be a Jew has been a theme in my life."[24] In an interview in 2000, Kirk Douglas explained this transition:[39]

"Judaism and I parted ways a long time ago, when I was a poor kid growing up in Amsterdam, N.Y. Back then, I was pretty good in cheder, so the Jews of our community thought they would do a wonderful thing and collect enough money to send me to a yeshiva to become a rabbi. Holy Moses! That scared the hell out of me. I didn't want to be a rabbi. I wanted to be an actor. Believe me, the members of the Sons of Israel were persistent. I had nightmares – wearing long payos and a black hat. I had to work very hard to get out of it. But it took me a long time to learn that you don't have to be a rabbi to be a Jew."

Kirk Douglas notes also that the underlying theme of some of his films, including The Juggler (1953), Cast a Giant Shadow (1966), and Remembrance of Love (1982), was about "a Jew who doesn't think of himself as one, and eventually finds his Jewishness."[24]:383 Although his children had a non-Jewish mother, Kirk Douglas states that they were "aware culturally" of his "deep convictions," and Kirk Douglas never tried to influence their own religious decisions. Kirk Douglas notes, however, that Michael answered, "I'm a Jew," when once asked about what Kirk Douglas was.[24]:384

While Kirk Douglas has chosen to stay out of political affairs, Kirk Douglas has on occasion written letters to politicians who were friends. Kirk Douglas notes in his memoir, Let's Face It (2007), that Kirk Douglas felt compelled to write former president Jimmy Carter in 2006 in order to stress that "Israel is the only successful democracy in the Middle East. . . . [and] has had to endure many wars against overwhelming odds. If Israel loses one war, they lose Israel."[2]:226

In January 1996, Kirk Douglas suffered a severe stroke, partially impairing his ability to speak. On December 8, 2006, Kirk Douglas appeared on Entertainment Tonight, where the entire staff wished him a happy 90th birthday the night before. His son Michael and daughter-in-law Catherine Zeta-Jones, were among the many celebrities who attended his birthday celebration. On the show, Kirk Douglas discussed the books Kirk Douglas has written and the death of his son Eric. Kirk Douglas celebrated a second Bar-Mitzvah ceremony in 1999 at the age of eighty-three.

A portrait of Kirk Douglas, titled "The Great and the Beautiful," which encapsulated his film career, art collection, philanthropy and rehabilitation from the helicopter crash and the stroke, appeared in Palm Springs Life magazine in 1999. The article said "For years, this energetic performer could be seen jogging several miles to get his morning paper, playing tennis with locals or posing for snapshots and signing autographs for star-struck out-of-towners. Kirk Douglas has been a veritable one-man tourist promotion over the past four decades, extolling the virtue of the city Kirk Douglas loves to virtually anyone who'll listen".

Kirk Douglas blogs regularly on his Myspace account.[40] At 95, Kirk Douglas is the oldest celebrity blogger.[41]

Filmography

Films

 
 
 

Short subjects

  • Van Gogh: Darkness Into Light (1956)
  • Rowan & Martin at the Movies (1968)

Awards

AFI Life Achievement Award

  • 1991 Accepted AFI Life Achievement Award

Academy Awards

  • 1996 Honorary Award for 50 years as a creative and moral force in the motion picture community
  • 1995 nominated for Honorary Awards
  • 1956 Lust for Life nominated for Best Actor
  • 1952 Bad & the Beautiful nominated for Best Actor
  • 1949 Champion nominated for Best Actor

Berlin International Film Festival

  • 1975 Posse nominated for Competing Film

New York Film Critics Circle Award

  • 1956 Lust for Life won for Best Actor
  • 1951 Detective Story nominated for Best Actor

Bibliography

References

  1. ^ http://www.seeing-stars.com/Churches/OtherChurches.shtml
  2. ^ a b c d e Kirk Douglas, Kirk. Let's Face It. John Wiley & Sons, 2007. ISBN 0-470-08469-3.
  3. ^ Kirk Douglas Biography (1916–)
  4. ^ Kirk Douglas returns to Judaism
  5. ^ Tugend, Tom (December 12, 2006). "Lucky number 90". The Jerusalem Post. Retrieved December 12, 2006.
  6. ^ Kirk Douglas, Kirk (2007). Let's face it: 90 years of living, loving, and learning. John Wiley and Sons. pp. 3. ISBN 0-470-08469-3.
  7. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 12.
  8. ^ a b Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 13
  9. ^ a b Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 11
  10. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 15.
  11. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 18
  12. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 16.
  13. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 17.
  14. ^ The Bermudian: Bermuda and Hollywood. March 1946
  15. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 33.
  16. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 19.
  17. ^ a b c Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 28.
  18. ^ Mosel, "Leading Lady: The World and Theatre of Katharine Cornell
  19. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 181.
  20. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 93
  21. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 64.
  22. ^ Jam Session at Jacks, originally telecast on CBS, October 17, 1954.
  23. ^ a b Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 7.
  24. ^ a b c d e Kirk Douglas, Kirk. The Ragman's Son, Simon and Schuster (1988) p. 384
  25. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 168.
  26. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 149.
  27. ^ a b Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 44.
  28. ^ a b Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 21
  29. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 24.
  30. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 256.
  31. ^ Thomas, Tony. The Films of Kirk Douglas. Citadel Press, New York, 1991. ISBN 0-8065-1217-2. p. 258.
  32. ^ "Dr. Jekyll and Mr. Hyde (1973)." New York Times Review. Retrieved October 1, 2008.
  33. ^ Clute, John (1999). The Encyclopedia of Fantasy. John Grant. Macmillan. pp. 518. ISBN 978-0-312-19869-5.
  34. ^ Weldon, Michael J. (1996). "Dr. Jekyll & Mr. Hyde (1973)". The Psychotronic Video Guide. St. Martin's Press. pp. 167. ISBN 0-312-13149-6.
  35. ^ "Liberty Receives Classical Salute, Sun Sentinel, July 5, 1986".
  36. ^ "Hollywood Walk of Fame". Guide to and locations of the stars on Hollywood Boulevard.. Retrieved June 13, 2008.
  37. ^ Olivier, Ellen (January 17, 2010). "Kirk Douglas' 'Before I Forget' movie premieres; South Coast Repertory's 'Ordinary Days' has West Coast opening". Los Angeles Times. Retrieved February 4, 2010.
  38. ^ Vena, Jocelyn (February 27, 2011). "Kirk Douglas Steals The Show Presenting Best Supporting Actress Oscar". MTV.
  39. ^ AISH Interview, 2000
  40. ^ Nigel Kendall, "World's oldest blogger María Amelia López Soliño dies." Times Online. May 22, 2009. Accessed May 25, 2009.
  41. ^ Hardingham-Gill, Tamara (December 22, 2008). "Screen legend Kirk Douglas, oldest celebrity blogger with 4414 online friends". Daily Mail (London).

Further reading

External links

 
 

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